Category Archives: Popular Culture

Warm-Up Act

In about 15 min, I will throw off the chains of my desk and get into the car with my beautiful wife and drive like a madman to the city of Atlanta. This evening’s performance is merely a warm-up act. Yes, Tonight begins the last leg of my journey to the U2 concert in Dallas next month.

I’m a bit overdramatic. (Give me a break, I’ve had my U2 tickets for almost 8 months. When will October get here?!?!?!)

Coldplay is performing tonight in Atlanta, GA. I AM STOKED!!! I have been rockin’ X & Y for the last few months. I am eagerly anticipating hearing “Fix You,” “The Hardest Part,” “A Message,” and “Kingdom Come” live and in person tonight. I’ll post a full review in the coming days. Hopefully, I’ll have some pictures to go along with the review as well.

Peace. Felker Out.

Top Ten of All Time

On our trip to Searcy a few weeks ago, my wife got annoyed with a little music habit of mine. I love ranking my music. It isn’t an exact science with me though. When a great song plays on the radio or on Tv, I’ll announce, “This song is definitely in my top ten” or “Ooh, top 50 song right here.” The wife was convinced that my top 10 was comprised of at least thirty songs. Well, we went through my iPod and came to the conclusion that there are only about thirteen or so in my top 10. She forced me to pick 10 and only 10. I picked eleven. For my money, “Hey Jude” and “Let It Be” are so similar and so great that they should share a space. I’ve listed them below in no particular order other than how I would like to listen to them on a single disc. The CD begins with the building crescendo of sound in “Streets” to the final lonesome guitar licks in “Ledbetter.” Enjoy.

Micheal’s Top Ten Favorite Songs of All Time:
Where the Streets Have No Name by U2 (The Joshua Tree)
Like a Rolling Stone by Bob Dylan (Highway 61 Revisited)
Every Breath You Take by The Police (Synchronicity)
All Along the Watchtower by Jimi Hendrix (Electric Ladyland)
Walk On by U2 (All That You Can’t Leave Behind)
Round Here by Counting Crows (August and Everything After)
In My Place by Coldplay (A Rush of Blood to the Head)
Smells Like Teen Spirit by Nirvana (Nevermind)
Hey Jude/Let It Be by The Beatles (Hey Jude- single/Let It Be)
Yellow Ledbetter by Pearl Jam (Lost Dogs)

Runner Ups

In My Life by The Beatles (Rubber Soul)
One by U2 (Actung Baby)
With a Little Help From My Friends by Joe Cocker
Last Goodbye/ Hallelujah by Jeff Buckley (Grace)
Solsbury Hill by Peter Gabriel
Let’s Stay Together by Al Green

Hidden Agenda

Believe it or not, music executives do not have the consumers best intrest at heart.

I have been an iTunes user for 3 years now. For me, when it comes to listening to and purchasing legal music downloads nothing is easier and more flexible than iTunes. For .99 cents a song I’ve become my own DJ. I can buy only the songs I want and I can purchase most albums for $9.99. Apple also offers iTunes Originals, your favorite songs and the stories behind them from influential artists such as Sarah McLachlan and Alanis Morrisette for under ten bucks. Steve Jobs, Apple’s top dog, has been adament about the .99 cent song price since iTunes inception. The music buisness embraced Apple and easily agreed to the price structure. They were despearte to break the illegal download buisness. iTunes, within a matter of days, rocked the world and turned millions of people into legal downloaders. iTunes effectively saved the music industry which, at the time, was beginning to see the first major losses of the download era. iTunes allowed the record companies to legally get downloadable music into the hands of consumers and still retain control. That is when the dollar signs began flashing. When iTunes became the phenomenom that it is, music execes suddenly turned on this new technology. Record execs began to push jobs to raise the .99 cent cost. They began to whine and complain. They again started crying that downloadable music was hurting their buisness. Jobs called the greedy. So do I.

Today I got a little hint at their greediness. A Reuters article shed some light on just how greedy record execs truly are. Warner Music’s Edgar Bronfman might be wishing he could retract a statement he made last week at an investor confrence. I’ve bolded his touchy comment below.

Record executives, however, are seeking some flexibility in prices, including the ability to charge more for some songs and less for others, the way they do in the traditional retail world.

“There’s no content in the world that has doesn’t have some price flexibility,” said Warner Music Group Corp. chief executive Edgar Bronfman at the Goldman Sachs Communacopia investor conference here. “Not all songs are created equal. Not all albums are created equal.

“That’s not to say we want to raise prices across the board or that we don’t believe in a 99-cent price point for most music,” he said. “But there are some songs for which consumers would be willing to pay more. And some we’d be willing to sell for less.”

Think about that for a second. What he is effectively communicating is that he believes that he can suck more money out of consumers for hot, popular music. He is saying that he can manipulate you, the consumer, into paying whatever he wants you to pay for your favorite artists. In theory, an artist could be an .88 cent artist one week and a $1.50 artist the next. I am begining to see what the real problem is in the music buisness. Leadership. Small-minded, money grubbing leaders.

Sony Music wants to thank you for legally purchasing their music by adding an enjoyment tax. Here’s to you, music execs! Way to ruin the party!

Link
Via

These Songs of Freedom

Redemption is a theme that I can’t get enough of. Redemption specifically colors my world as a believer in Jesus Christ but it is also a powerful theme that captures the hearts and minds of every human being. We all have junk or problems that we need deliverence from. From habits to coworkers to disfunctional relationships we human beings desire the light to rescue us. Modern movies, with all their focus on the anti-hero and the loss of genuine good and the rise of absolute evil after WWII, still wrestle with redemption. Just in the past few years we have seen moives like “The Matrix,” “Hellboy,” “Constantine,” “Garden State,” “Vanilla Sky,” and even recent movies like “Batman Begins” have all presented a forum where the act of redemption is presented in a way that makes us come to grips with what it means to be given a new life. Even “Finding Nemo” gave us a glimpse at a loving father frantically crossing land and sea to bring his son home. Redemption is everywhere.

You may or may not be aware that the second season of Lost began last night. I was immediatley sucked into the story of Oceanic Flight 815, which crash landed hundreds of miles off course on a mysterious desert island, early in its first season. The first episodes gripped me to my very core precisely because they dealt directly with the reality of what it means to be redeemed. What is means to seek redemption.

Today, Tyler Clark, dirctor of the Relevant Network, sent out a wonderful email detailing his love for Lost and his fascination with redemption. I wanted to post this section of the email.

“Three days ago we all died,” Jack said in an early episode. “We should all be able to start over.”

Each castaway has junk. They crashed on the island in need of redemption. Their sins–murder, drug abuse, lying to family, betrayal–have followed them through life, and the island is where they find salvation.

“It feels like these people have sort of sinned in their lives before, and now, they’re in an environment where they can’t talk to the people that they need to talk to,” Damon Lindelof, the show’s co-creator, said last spring. “They can’t close the doors that they need to close.”

Many Christians may be able to identify with Charlie Pace (The Lord of the Rings’ Dominic Monaghan), a rock ‘n’ roll has-been and recovering drug addict. Despite his hang-ups with drug addictions, he is a man of faith. He was once a devout Catholic who sought a life of purity. He remains a believer even though he struggles with his own self-control. Quite symbolically, Charlie recently found a hollow statue of the Virgin Mary with heroin inside. Carrying the symbolism a step further, Charlie found the heroin in the wreckage of a different plane crash transporting drug smugglers disguised as priests.

One promo for the new season features a voiceover of Charlie saying, “How long will it take for redemption? Like the chance to put the past behind me. To start over. Maybe that’s what this is. A second chance. An opportunity to earn forgiveness. They say that everything happens for a reason. I wish I could believe that.”

Many of the show’s actors like the redemption aspect of the show. “I’m a huge fan of redemption stories,” Fox said. “I’m very much into the idea that all of these characters are trying to escape a past version of themselves that you know; they’ve all made mistakes and harbored secrets and told lies.”

While odds are slim that the show will proclaim that redemption comes through Jesus Christ or that anyone will present the Truth of Christ in the faith-versus-science debate, Lost tells a story that allows you to present that truth.

If you would like to read the rest of the article, comment below and I will email it to you. The purpose of this post isn’t to make you a fan of Lost. All though it is a great show, the alphabet channel isn’t paying me to advertise their little show. At the very least I hope this post begins forcing you to rethink what redemption means. Not in the abstract but in the real world. I hope you can begin to see how hungry the world is for a second chance. Our second chance for a new life isn’t found on a mysterious island but in the creator of all things.

Elizabethtown

I woke up this morning fully intending to download the new Switchfoot album, Nothing is Sound, from iTunes.

Instead, I downloaded the soundtrack to the new Cameron Crowe film, Elizabethtown. Cameron Crowe is one of my favorite writer/directors. The music he chooses for his film really capture the ethos of the characters, settings, and stories. This soundtrack should be no exception.

Elizabethtown opens nationwide on October 14.

Movies.com

Downloading Vertigo

Last week, Pearl Jam annouced that it would begin offering official concert downloads only hours after each gig on their website for about $10. Concievably, a fan could go see a show on Tuesday night and be working out to the audio Wednesday afternoon on their iPod. As a Pearl Jam fan I am excited about this new chance to hear this great live band, well, live.

As you may recall, rumors began swirling at the begining of the year that U2 was going to do this in conjuction with Apple and iTunes. The first leg of the Vertigo tour came and went. No concerts on iTunes. The 2nd leg has come to a close without a downloadable concert as well. In 2 weeks, the boys return to North America for the 3rd leg of the tour. Will they offer downloadable content hours after each show? I’m not getting my hopes up.

U2isAble over at @U2 has written a great post about this. They believe that a U2 fan would be willing to pay upwards of $20 to be able to download concerts. This fan would. I completely agree that a copy of the show is better than “an overpriced T-shirt any day of the week.” At the “Elevation Tour” I paid $30 dollars for a shirt and would have gladly taken a board recording of that concert instead.

Go and read the article. It is well worth your time if you are a U2 fan.

Again, hats off the Pearl Jam. It’s a shame they couldn’t stop the monster that is Ticketmaster but at least they still have their fans at heart

Schindler es bueno, Senor Burns es el diablo

It’s here! The sixth season of The Simpsons is in stores today. What a great season. So many memorable moments!

Bart breaks his leg, Flander’s “murders” his “wife”(?), The Simpsons park in the Itchy lot, Lisa plays hockey, Homer decides to forget his problems and move the family “under the sea,” Maggie arrives, a comet heads toward Sprigfield, Homer is Krusty, Bart calls Australia, Senor Spielbergo directs Mr Burns, Bart studies ballet, Lisa gets married, The PTA disbands(!), Bleeding Gums Murphy passes from this life, Santa’s Little Helper fathers puppies, Marge becomes a cop, Shelbyville steals some lemons, we meet Shelbyville Milhouse, and Mr. Burns gets shot. Whew!

I don’t have any hobbies.

Update: Box in hand. New box on order. Plus: Brandon was correct. The picture is an Apple Newton!

The First iPod?!?!?!?!

Homer's iPod

No, this is not a picture of the very first iPod. It is a frame grab from season 6 of the Simpsons. The DVD set will be released tomorrow (to much fanfare at my house I must add). It was featured in the episode titled “Lisa on Ice.” I have only seen this episode once so I can’t remember the gag. It will be very interesting to find out what Apple product this was lampooning back in 1994-1995. Stay tuned!

Breaking Into the Music Biz?

Become a rapper.

Ten years ago, if you wanted to break into the music business you would have done well to put on a pair of boots, grabbed your acoustic guitar, and strutted your stuff at the Blue Bird Cafe down in Nashville. Country music was hot, thanks to Garth Brooks, and it was relatively easy to become a star in honky-tonk. After the country music phase the country moved into a teeny-bop world. For every Britney there was a Mandy Moore and for every Backstreet Boy there was a 98degrees. Thanks to Lou Perlman and men of his ilk, manufactured music became a staple on America’s airwaves. If you were 13 and had a set of pipes there was money to be made. The teen scene became an easy market to cash in on.

Now in 2005, I would argue that the easiest market to break into is the Hip/Hop/Rap/R&B hybrid currently riding the crest of cultural popularity. I call this a musical hybrid because even 5 years ago R&B was a different genre than Rap. I don’t remember Toni Braxton (R&B) spittin’ rhymes or Will Smith and Jazzy-Jeff (Hip-Hop) gunning each other down. Today, for every talented rapper like Common, Kanye West or Jay-Z there are dozens of Ray Js, Playaz Circles, Twiztids, and Mike Jones’ (Who is Mike Jones?). I’m still not convinced that rap’s darling boy, 50cent, isn’t some corporate creation. For some guy who has sold crack and who has been riddled with bullets he sure raps about tropical islands and sex a lot. Some hardcore life?!?! G-G-G-Unit!

Anyway, go by your local Target or peruse through iTunes or, heck, watch TRL. There are a slew of untalented rap artists out there that are making money hand over fist. With the recent Sony payola scandal, I wouldn’t be surprised to find out just how manufactured these new “artists” really are.

You too can be the next B Rabbit. Just furrow your brow, look tough, and sell out.